Blog

  • 8/24/10

    It all started so simply. Three large white boxes rest on the floor. A voice describes the choreography of a dance: “She grasps her bent elbow, runs hand down to wrist. He kneels on one knee.” Then a box begins to move, an unseen someone inside, perhaps grasping a bent elbow? The box slides along, without feet....

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  • 8/24/10

    The photo that MTA sent out with their reminder email the week before, showed the performers inside the white boxes and my first reaction was skepticism. Being relatively new to the movement arts, I generally think about movement and dance in a somewhat traditional way (think ballet or contact improv)....

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  • 8/11/10

    An artist named “Foofwa”—don’t we expect the bizarre, the incomprehensible?

    But here he is—a normal-looking guy--casual and relaxed in sweatsuit and gray socks, chatting with the audience while warming up…deceptive, for this is only the first of an electrifying range of characters we will meet in this fine-tuned and flowing solo performance.

    There is no “backstage” here—his “Grand Entrance” will be made from the great outdoors of Mt. Tremper, through what looks like the fire door—but we’ll speak of that later…

    First, we must be educated—for too many in the audience (myself included) are not that familiar with those two giants of Dance; Pina, Merce, (Michael, we know)—their quirks and characteristic styles of movement, their motives and mannerisms. Professor Foofwa to the rescue! A concise and clear history of Dance, Dance Evolution…yes, he’s a natural teacher-- what? You expected him to dance, not talk? Like I said, there’s many people in this show—all of them him.

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  • 8/11/10

     Well that was fun. I don't know quite how to say what it was, but it was fun.

    Foofwa kindly led us through a brief history of modern dance in order to give some 'context' to the piece. He highlighted some of the idiosyncrasies of the dancers he was about to tribute -- Micheal Jackson, Pina Bausch, and Merce Cunningham -- which was fascinating in and of itself not just because of the info he gave, but how we naturally embodied the dancers, channeling a signature motion with a turn of his head, thump of his pelvis, sway of his arms. 
    Foofwa wove a tale, told through his Italian mummy man character, of the 3 dancers navigating the afterlife.

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  • 8/11/10

    Wow, Fantastic! Interesting, Different, Funny, Very creative! 

    I enjoyed the performance very much. This was the first time I attended a performance at 
    Mount Tremper Arts. Foofwa d’lmobilite was a great way to be introduced to Mount Tremper Arts. I love the venue and the intimacy; the surroundings are beautiful. My 15 year old daughter and my 13 year old son came with me and enjoyed every minute of the performance.

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